YINKA SHONIBARE
Archive of Lost Memories II, 2025
11 clay objects, hand-painted bust, and wooden shelves
54 1/8 x 45 3/8 x 13 3/4 in
137.4 x 115.2 x 35 cm
JCG18686
YINKA SHONIBARE
Red Shoes, 2025
Mixed media
70 7/8 x 70 7/8 x 11 3/4 in.
180 x 180 x 30 cm
JCG18491
YINKA SHONIBARE, CBE
Monument to the Restitution of the Mind and Soul, 2024
Mixed media
157 1/2 x 116 7/8 x 116 7/8 in
400 x 297 x 297 cm
JCG17373
YINKA SHONIBARE, CBE
Refugee Astronaut VIII, 2024
Fibreglass mannequin, Dutch wax printed cotton textile, net, possessions, astronaut helmet, moon boots and steel baseplate
76 1/2 x 37 x 44 7/8 in
194.4 x 94 x 114 cm
JCG17125
YINKA SHONIBARE, CBE
Wind Sculpture in Bronze IV, 2024
Hand painted bronze
Unique in a series of 9
78 3/4 x 59 x 54 in
200 x 150 x 137 cm
JCG15796
YINKA SHONIBARE, CBE
Decolonised Structures, 2022-2023
Seven fibreglass sculptures, each hand-painted with Dutch wax pattern and wooden plinth
Dimensions variable
JCG15314
YINKA SHONIBARE, CBE
The War Library, 2024
Approximately 6,000 hardback books, Dutch wax printed cotton,
gold foiled names, and website
Dimensions Variable
JCG17404
YINKA SHONIBARE, CBE
Birdcage Kid (Boy), 2023
Fibreglass mannequin, Dutch wax printed cotton textile, globe, brass, steel, faux birds, wood, and metal wires
53 3/8 x 40 1/8 x 34 7/8 in.
135.5 x 102 x 88.5 cm
JCG15421
YINKA SHONIBARE, CBE
Wind Sculpture (TG) I, 2022
Hand painted aluminum
315 3/8 x 129 3/4 x 89 1/8 in.
801.1 x 329.7 x 226.3 cm
JCG11905
YINKA SHONIBARE, CBE
Food Kid (Girl) II, 2022
Fiberglass mannequin, Dutch wax
printed cotton textile, metal, hand
painted globe, steel baseplate, rush,
plastic, wood, latex, resin and acrylic
paint
70 1/8 x 30 7/8 x 44 7/8 in.
178 x 78.5 x 114 cm.
JCG13490
YINKA SHONIBARE, CBE
The Monument Pictures I (Quilt), 2022
Patchwork, appliqué, embroidery and Dutch wax printed cotton textile quiltwork
Unframed: 53 1/8 x 74 3/4 in. (135 x 190 cm)
Framed: 59 5/8 x 80 3/8 in. (151.4 x 204.2 cm)
JCG12956
YINKA SHONIBARE, CBE
Moving Up, 2021
Fiberglass mannequins, Dutch wax printed cotton textile, bespoke globes, brass, leather, hemp rope, paper, various toys, cotton, silk, steel, aluminum, and painted wood.
Overall: 90 1/2 x 141 3/4 x 98 3/8 in. (230 x 360 x 250 cm)
JCG12425
YINKA SHONIBARE, CBE
Nelson's Ship in a Bottle, 2010
Installation view, site-specific commission for Fourth Plinth, Trafalgar Square, London, UK, May 2010 - January 2012
Photo: Stephen White
Fiberglass, steel, brass, resin, UV ink on printed cotton textile, linen rigging, acrylic, and wood
114 1/8 x 206 3/4 x 92 1/2 in.
289.9 x 525.1 x 234.9 cm
JCG6436
YINKA SHONIBARE, CBE
Beekeeper (Boy), 2021
Fiberglass mannequin, Dutch wax printed cotton textile, globe, brass, steel, faux bees, straw, wood, polyurethane, polystyrene, and cotton
Overall (including baseplate):
46 5/8 x 29 7/8 x 44 7/8 in.
118.5 x 76 x 114 cm
JCG12344
YINKA SHONIBARE, CBE
Carriage Clock, 2019
3D printed acrylic and resin, etched brass, acrylic paint, Dutch wax printed cotton textile, and quartz clock
Edition of 50
JCG11031
YINKA SHONIBARE, CBE
Victorian Dancers, 2019
53 1/8 x 75 1/4 in.
191 x 135 cm
JCG10449
YINKA SHONIBARE, CBE
Girl Balancing Knowledge II, 2016
Fibreglass mannequin, Dutch wax printed cotton textile, books, globe and steel baseplate
59 x 33 x 42 1/8 in.
150 x 84 x 107 cm
JCG8819
YINKA SHONIBARE, CBE
The Victorian Philanthropist's Parlour, 1996-1997
Dutch wax printed fabric covered wood, cast iron, brass, marble, mirror, bound printed books, porcelain, glass, framed works on paper, and props
102 x 192 x 209 in.
259.1 x 147.7 x 530.9 cm
JCG5658
YINKA SHONIBARE, CBE
End of Empire, 2016
Fibreglass mannequins, Dutch wax printed cotton textile, metal, wood, motor, globes and leather
116 1/2 x 200 3/4 x 39 in.
296 x 510 x 99 cm
JCG8900
YINKA SHONIBARE, CBE
Fake Death Picture (The Death of Leonardo da Vinci in the Arms of Francis I - Francois-Guillaume Ménageot), 2011
Digital chromogenic print
Framed: 58 3/4 x 72 5/8 x 1 5/8 in.
149.23 x 184.47 x 4.1 cm
JCG5482
YINKA SHONIBARE CBE, Boomerang. Film by Greg Poole. Produced by James Cohan, 2023.
Yinka Shonibare was born in London in 1962 and moved to Lagos, Nigeria at the age of three. He returned to the UK to study Fine Art at Byam Shaw School of Art, London and Goldsmiths College, London, where he received his Master’s in Fine Art.
Shonibare is well known for his exploration of colonialism and post-colonialism within the context of globalization. Working in painting, sculpture, photography, film, and installation, Shonibare’s work examines race, class, and the construction of cultural identity through a sharp political commentary on the tangled interrelationship between Africa and Europe and their respective economic and political histories. Shonibare uses wry citations of Western art history and literature to question the validity of contemporary cultural and national identities.
Shonibare was a Turner Prize nominee in 2004 and was elected as a Royal Academician by the Royal Academy, London in 2013. In 2004, he was awarded the decoration of Most Excellent Order of the British Empire or MBE, and in 2019, he was made Commander of the same order, or CBE. In March 2021, Shonibare received Whitechapel Gallery’s prestigious Art Icon award, becoming the eighth artist to receive the honor. He received an honorary degree from The Courtauld Institute, London the same year.
In 2024, the Serpentine, London UK, presented a major solo exhibition of Shonibare’s work titled Suspended States. Shonibare's installation Monument to the Restitution of the Mind and Soul was featured at the Venice Biennale 2024 as part of the Nigerian Pavilion, in the group show Nigeria Imaginary. The artist was also included in the 60th International Art Exhibition of the Venice Biennale, Stranieri Ovunque - Foreigners Everywhere, curated by Adriano Pedrosa.
To mark Sharjah Biennial's 30th anniversary in February 2023, Shonibare was commissioned to create a series of new works for the exhibition. He also unveiled a new outdoor sculpture commissioned by the David Oluwale Memorial Association in Aire Park, Leeds as part of Leeds 2023.
In November 2022, Shonibare hosted the international launch of Guest Artists Space (G. A. S.) Foundation, a non-profit founded and developed by the artist. The Foundation is dedicated to facilitating cultural exchange through residencies, public programs, and exhibition opportunities for creative practitioners from around the world. The live/work residency spaces are set across sites in Lagos and a rural working farm in Ijebu, Ogun State.
The survey solo exhibition, Yinka Shonibare CBE: Planets in My Head, opened in April 2022 at Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan followed by the unveiling of two new public sculptural works: Wind Sculpture (TG) I at the Gene Leahy Mall, Omaha, Nebraska, and Wind Sculpture in Bronze I at Royal Djurgården, Stockholm.
The artist’s major commission with the Public Art Fund, Wind Sculpture (SG) I, was installed at Doris C. Freedman Plaza, Central Park from March 7 through October 14, in 2018. The same year, FRONT International: Cleveland Triennial for Contemporary Art presented The American Library at the Cleveland Public Library. The British Library was acquired by the Tate London in 2019. He was also selected to coordinate the Royal Academy of Arts 253rd Summer Exhibition in September 2021.
In 2010, Shonibare’s first public art commission, Nelson’s Ship in a Bottle, was displayed on the Fourth Plinth in Trafalgar Square, London. In 2008, his mid-career survey commenced at Museum of Contemporary Art, Sydney and toured to the Brooklyn Museum, New York and the Museum of African Art at the Smithsonian Institute, Washington D.C. In 2002, Shonibare was commissioned by Okwui Enwezor to create one of his most recognized installations, Gallantry and Criminal Conversation for Documenta XI.
Shonibare’s works are included in notable collections internationally, including the Tate Collection, London; Victoria and Albert Museum, London; National Museum of African Art, Smithsonian Institution, Washington, D.C; Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Moderna Museet, Stockholm; National Gallery of Modern Art in Rome; Pérez Art Museum Miami in Florida and VandenBroek Foundation, The Netherlands.
Over the past decades, Shonibare has become well known for his exploration of colonialism and post-colonialism within the contemporary context of globalization. Working in painting, sculpture, photography, film and installation, Shonibare’s work examines race, class and the construction of cultural identity through a sharp political commentary of the tangled interrelationship between Africa and Europe and their respective economic and political histories. Shonibare uses wry citations of Western art history and literature to question the validity of contemporary cultural and national identities.
Listen to Yinka Shonibare CBE discuss Boomerang: Returning to African Abstraction, his current solo exhibition at James Cohan, in our newest video feature.
In this video, Yinka Shonibare CBE discusses the connection between the history of colonial domination and humankind’s domination of the natural world and exploitation of its limited resources, as these themes relate to his recent solo exhibition Earth Kids.
Miami, Florida
Trafalgar Square, London, United Kingdom