CHARLOTTE EDEY
Gauze, 2025
Soft pastel in sapele panel frame
88 5/8 x 88 5/8 x 1 1/8 in
225 x 225 x 3 cm
JCG19304
CHARLOTTE EDEY
Fold above fold, a surging mase!, 2025
Soft pastel, glass beads, woven jacquard in sapele panel frame
88 5/8 x 88 5/8 x 1 1/8 in
225 x 225 x 3 cm
JCG19305
CHARLOTTE EDEY
Silence Between Rotations, 2025
Glass beads, silk, woven jacquard, Victorian stick and ball spindle in sapele panel frame
18 7/8 x 23 x 1 1/8 in
48 x 58.5 x 3 cm
JCG19182
CHARLOTTE EDEY
Compression Chamber, 2025
Freshwater pearls, glass beads, topaz, opal, quartz, silk, woven jacquard, soft pastel on paper in sapele panel frame
29 1/8 x 22 1/2 x 1 1/8 in
74 x 57 x 3 cm
JCG19352
CHARLOTTE EDEY
Scarlet Turn, 2025
Freshwater pearl, glass beads, pietersite, silk, organza, woven jacquard, soft pastel on sanded paper, sapele panel frame
17 3/4 x 43 1/4 in
45 x 110 cm
JCG18923
CHARLOTTE EDEY
Eavesdrop, 2024
Re-upholstered Edwardian two-way conversation chair
29 1/2 x 59 x 29 1/2 in.
75 x 150 x 75 cm
ZNI2423
CHARLOTTE EDEY
The Tower, 2024
Freshwater pearl, glass beads, tourmaline, onyx, obsidian, aventurine, white jade, silk, organza, woven jacquard, soft pastel on sanded paper, sapele panel frame
48 3/4 x 18 1/2 x 1 5/8 in.
124 x 47 x 4 cm
ZNI2419
CHARLOTTE EDEY
The Chamber, 2024
Freshwater pearl, glass beads, agate, garnet, tourmaline, silk, woven jacquard, soft pastel on sanded paper, antique spindles, sapele panel frame
47 1/4 x 19 3/4 x 1 5/8 in.
120 x 50 x 4 cm
JCG18233
Photo by Bekky Calver
Charlotte Edey is a British artist (b.1992, Manchester) based in London. Edey’s multimedia works depict dreamlike worlds that explore architectures of the interior, both bodily and domestic. Edey combines pastel, embroidery, beadwork, stained glass, and woodworking to pull viewers through spatial and psychological scenes that are immersive and illusive. The artist creates transfixing hybrid surfaces that shimmer and shift with changing light, imbuing her compositions with a slippery, fragmentary quality. Magical realism is rearticulated as an aesthetic device to mine the uncanny similarities between ourselves and our built environment. Historically gendered mediums like embroidery and weaving become, in Edey’s hands, powerful vehicles for reconciling divisions between the metaphysical and material, the internal and external.
Recent solo and duo shows include Arcade at MASSIMODECARLO Pièce Unique (2026); Corner/Fold at James Cohan (2026), Thin Places at Frieze London for Ginny on Frederick (2024), All Words Are Written In Water at Anat Ebgi, Los Angeles, CA (2024), The Inexpressible Is Contained at Sea View, Los Angeles, CA (2024). Recent group notable group exhibitions include As Above, So Below at FLAG Art Foundation, New York, NY (2025), An Uncommon Thread at Hauser & Wirth, Somerset, UK, and Behind the Bedroom Door at James Cohan, New York, NY (2025).
